Past events

26
Nov
2018

COEDL Summer School 2018

Summer School 2018 Date: 26 - 30 November 2018 Venue: Australian National University, Canberra The Centre’s annual Summer School is a...
Australian National Dictionary Centre 30th Anniversary
20
Nov
2018

Australian National Dictionary Centre 30th Anniversary

All former colleagues, associates, and friends of the Australian National Dictionary Centre are invited to a celebratory morning tea for the Centre's 30th...
Beyond Words? Trauma in Literature from the Concentration Camps
25
Oct
2018

Beyond Words? Trauma in Literature from the Concentration Camps

Cathy Caruth’s studies on trauma and literature, especially her seminal 1996 work, Unclaimed Experience, laid much of the groundwork of literary trauma theory...
The dead pan: Nathanael West’s unfunny jokes and modernist anti‐sentimentalism
18
Oct
2018

The dead pan: Nathanael West’s unfunny jokes and modernist anti‐sentimentalism

Though Nathanael West’s novels are often read in terms of an ancient and revered mode of misanthropic humour—satire—in this paper I want to draw on recent work...
The dead pan: Nathanael West’s unfunny jokes and modernist anti‐sentimentalism
18
Oct
2018

The dead pan: Nathanael West’s unfunny jokes and modernist anti‐sentimentalism

Though Nathanael West’s novels are often read in terms of an ancient and revered mode of misanthropic humour—satire—in this paper I want to draw on recent...
Online Archives and Digital Resources: A thousand years of networks
17
Oct
2018

Online Archives and Digital Resources: A thousand years of networks

As part of the “Settimana della lingua italiana”, Dr Josh Brown will give a lecture on October 17 at 4pm entitled “Online archives and digital resources: A...
Only Mediate: The Mere Interest of Interbrow in Kenneth Lonergan’s Margaret (2011) and Howards End (2017)
11
Oct
2018

Only Mediate: The Mere Interest of Interbrow in Kenneth Lonergan’s Margaret (2011) and Howards End (2017)

‘Only connect’ functions both as the epigraph to E. M. Forster’s Howards End (1910) and as the central character Margaret Schlegel’s exhortation to her husband...

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